Title: “Study for Haymaking with Land Girls Training at Sparsholt Farm Institute” (1940)

Evelyn Dunbar’s oil-on-canvas painting captures a moment in time—a snapshot of both labor and lyricism. The full title reveals its purpose: “Study for Haymaking with Land Girls Training at Sparsholt Farm Institute.” During World War II, the Sparsholt Farm Institute played a crucial role in training land girls for agricultural work. As the official war artist, Dunbar was commissioned to document these vital efforts.

In this scene, Dunbar’s brushwork illustrates the process of haymaking. The turning and collecting of grass—presumably for fodder—become a visual narrative. The subject matter transcends mere documentation; it takes on a lyrical quality. Perhaps the darker clouds hint at the ongoing war, looming beyond the horizon. Yet, within this canvas, it is summer—the hedgerows burst with life, the grass vibrant green, and the wagon a bright red.

Despite the historical context, there’s a sense of pleasure in the work. Dunbar’s skillful portrayal invites us to appreciate the harmony between human effort and the natural world. It’s a celebration of resilience and beauty amidst challenging times.

Size: Image:34.0 x 45.0; Paper: 45.0 x 57 cm

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